
Tasmina Khan Majles is a Bangladeshi-born multidisciplinary artist based in Naarm/Melbourne, Australia.
Her practice explores memory, migration, belonging, and environmental consciousness through the lens of diasporic experience. Working across painting, mixed media sculpture, photography, installation, and community-engaged projects, she examines how personal and collective histories are embedded in people, landscapes, and cultural traditions.
Drawing on her lived experience as a Bangladeshi–Australian artist, Tasmina creates contemplative works that investigate identity, cultural hybridity, and the enduring connections between homeland and adopted country. Through layered surfaces, organic forms, and symbolic imagery, her practice considers landscape as a living archive of memory, resilience, and transformation, positioning personal narratives within broader conversations around displacement, belonging, and environmental interconnectedness.
Majles holds a Bachelor of Arts (Graphic Design) from Curtin University (2007) and a Master of Creative Arts (Painting) from Deakin University (2019). Her work has been exhibited nationally and internationally, including solo exhibitions at Bunjil Place, Manningham Art Gallery, Montsalvat, Incinerator Gallery, Melton Library, and Dhaka Gallery, Bangladesh, as well as group exhibitions at the XIII Florence Biennale, Islamic Museum of Australia, Linden New Art, Belconnen Arts Centre, Maroondah Federation Estate Gallery, and Creative Asia Art Centre. She has also collaborated with organisations including UNHCR, the UN Global Call Out to Creatives, CDNI, and the Edith Wilkins Foundation on projects centred on migration, community engagement, and cross-cultural dialogue.
At the heart of Tasminas’ practice is the belief that individual experiences of migration and memory reveal universal stories of connection. Through works that move between personal reflection and collective experience, she continues to explore how art can become a space for empathy, dialogue, and belonging across cultures and generations.

I acknowledge and pay my respect to the Ancestors, Elders and families of the Boonwurrung (Bunurong), Woiwurrung (Wurundjeri) and Wadawurrung (Wathaurung) people of the Kulin Nation
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